|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Click on any of the questions to take you to the answer.
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| |
||||
| Income | Expenditure | |||
| Grant | £3296.00 | Materials | £1991.09 | |
| SG Parish Council | £100.00 | Design and Development | £829.95 | |
| SG Jubilee Committee | £63.07 | Administration | £346.73 | |
| Sale of surplus materials | £47.37 | Unveiling | £316.77 | |
| Bank Interest | £14.55 | Balance* | £45.45 | |
| £3520.99 | £3520.99 | |||
* This amount was returned to the Community Awards for All
We applied for a Millennium grant in June 2000. We received £3,296 from Community Awards for All in September.
Although we had a draft plan on which to base our grant application, the real planning and development did not begin in earnest until after we had received the money. By March 2001 we were able to hand out the kits for the houses in the village.
The actual stitching took from March 2001 to May 2002, a total of 17 months.
Including both stitchers and framers, 58 people were involved. The only criterion for joining the group was that you must live in Stoke Goldington.
Many people undertook several different tasks, such as photography, designing, copying, kit making, purchasing supplies, and of course making the tea as well as stitching. Click on stitchers and framers to see the full list.
Initially we met in the Reading Room in Stoke Goldington 3 times a week. Then we met in people's homes until all the houses were complete. However, stitchers were working on their 'house modules' at home in between whiles.
We then moved the four strips of canvas into the attic of a villager's house where we were able to leave it out permanently. Again we met 3 times a week in the attic, with stitchers working at home as well.
From the beginning of 2002, when the four strips of canvas had been joined, the Village Hall Committee invited us to use the Carlile Suite upstairs in the Village Hall.
As the Unveiling Day approached we were able to work there whenever we wanted. For some stitchers, this meant every day! We always had at least one evening session each week for those who worked.
Laminated safety glass has now been put over the Wall Hanging in the Village Hall so there is no fear of drink getting spilt over it, or little fingers feeling the work and leaving sticky bits behind. We hope the glass will protect it for the future.
The glass is in four pieces - one large piece just would not bend round the corner whichever door Dave Sharp and the glaziers tried to come in!
In addition, details have been sent to the National Needlework Archive which was set up originally specifically for Millennium needlework projects. They asked for final photos, both overall shots and closeups, as well as photos taken as we went along.
They also wanted written information about the wall hanging, why it was started, how it was made, how long it took and of course, who took part. So the name (and only the name) of everyone who worked on the wall hanging in any capacity is now on their database to provide information in years to come for students of textiles and social history and so on.
| Phase 1 Development |
| Phase 2 Main Canvas |
| Phase 3 The Borders |
| Phase 4 Hanging |
| Why not have an illustrated talk for your group? |
| What about coming to see the Hanging in its home in the Village Hall? |
This site is hosted by MK Heritage
Association
![]()
Recorded in the database of the
National Needlework Archive

The site is maintained by Project Leader of the Stoke Goldington Millennium Stitchers.