The Woburn Abbey Theatre
One of the rooms at Woburn Abbey was once used as a private theatre for the Russell family, their friends and visitors to stage amusing plays to amuse their invited guests around Christmas.
Woburn Abbey Archives kindly supplied the following description of the room: “The room which housed the Theatre actually still exists – it is located on the Ground Floor of the West Range. However, it is not part of the visitor route and no longer has any of the fixtures or fittings of a theatre, having changed use in the late 19th century. The room is the same size as the Blue Drawing Room. It was originally the 18th century family Dining Room; but there are bills in the Abbey Archives from the early 19th century which suggest the makings of a Theatre (painting scenery) in the early 19th century, and it is in this location in an 1839 inventory. It is still called the Theatre in the 1867 inventory, and still had the fixtures/fittings of scenery to make it such. By 1884 it had been changed into a Sitting Room for the Marquess of Tavistock (later 10th Duke).”
Woburn Abbey was once a square building, with a central courtyard, until the East wing and parts of the North and South wings were demolished in 1949-50.
There were theatrical performances as early as the 18th century – the famous actor, playwright, theatre manager and producer David Garrick supplied the scenery for a play there in 1744. This work focuses on a later theatre that was opened at the Abbey just into the following century.
Francis Russell, 5th Duke of Bedford had died in 1802. He had been responsible for the development of the Bloomsbury area of London and served as a Whig politician. His brother, John, then became the 6th Duke. He married the Hon. Georgiana Byng, daughter of George Byng, 4th Viscount Torrington, in 1786. The marriage lasted 15 years and they had three sons:
- Francis Russell, (who became the 7th Duke of Bedford),
- Lord George William Russell,
- Lord John Russell (became Prime Minister and grandfather of philosopher Bertrand Russell).
After Georgiana’s early death in October 1801, John married Lady Georgiana, daughter of Alexander Gordon, 4th Duke of Gordon, in 1803. She was 15 years his junior. They had ten children, some of whom appear in the cast lists below, including:
- Lord Wriothesley Russell (1804-1886), married Elizabeth Russell, his first cousin,
- Admiral Lord Edward Russell (1805-1887), married Mary Ann Taylor,
- Lieut-Col. Lord Charles James Fox Russell (1807-1894), married Isabella Davies,
- Lady Georgiana Elizabeth Russell (1810-1867), married Charles Romilly, an English cricketer,
- Lady Louisa Jane Russell (1812-1905), married James Hamilton, 1st Duke of Abercorn,
- Lord Cosmo Russell (1817-1875),
- General Lord Alexander Russell (1821-1907), married Anne Holmes,
- Lady Rachel Evelyn Russell (1826-1898), married Lord James Butler.
The Duke and Duchess staged performances, usually during their Christmas holidays, when they invited their guests to take various parts in the cast. As can be imagined, the people invited to stay at Woburn for the holidays were the very cream of Victorian society – Royals, noblemen, politicians and their families. Thus Lords and Ladies, Earls and MPs were to be found learning their parts and acting for the invited guests. The Russell’s took the trouble of having programmes printed for their shows, usually by Mr. Dodd, the printer of Woburn (later Dodd & Peeling), of which a few survive. These were very tongue-in-cheek facsimiles of the normal programmes issued by real theatres of the day, written in a comic style, giving the opposite of the usual information found in them: “The performances to commence soon as claret and coffee will allow. The box office is not open. No places are reserved!…”
The theatre was opened in 1805 and was soon put into use as reported in a national newspaper:
Morning Post – 16th November 1805
“PRIVATE THEATRICALS. The elegant Little Theatre, in Woburn Abbey, which has been some time in preparation, under the tasteful direction of the Duchess of Bedford, on which no pains or expence has been spared by the artists from London, who have been employed, was opened on Thursday evening, with The Mayor of Garrat, and The Village Lawyer. The Nobility and Gentry for a considerable distance round Woburn were invited, and some of them, as well as the Duke and Duchess, took parts in the performance, for which they had been some time in preparation: the whole went off with éclat, and gave great satisfaction to the audience, particularly the younger branches of the different families, who were invited very generally. Between the acts, the Duchess entertained her guests with the choicest viands; and at the conclusion of the performance, a large party partook of an elegant supper; and the gentlemen kept it up, in the true style of English hospitality until a late hour.”
Morning Post – 26th November 1805
“WOBURN PRIVATE THEATRICALS. The Theatricals at Woburn Abbey, the seat of the Duke and Duchess of Bedford, commenced last week. The Duchess, the Marquis of Tavistock, and Lord Charles Russell. (the Duke’s second son) played the principal characters. In the laughable Farce of The Mayor of Garratt, the Marquis represented Jerrey Sneak with considerable humour. The Theatre was very neatly fitted up with several changes of scenery. The performers were all members of that distinguished family. Mr. and Mrs. Whitbread were among the fashionables present.”
No doubt the Russell’s wanted this new innovation to be seen and admired. Before the end of the year a huge ball was thrown at the Abbey and hundreds of guests invited:
Globe – 17th December 1805
“Her Grace the Duchess of Bedford has issued upwards of 500 cards of invitations for her Grand Masquerade at Woburn Abbey.”
The performances at the theatre ran through into the New Year, but we have no indication of exactly how many were staged.
Morning Chronicle – 14th January 1806
“The Private Theatricals, at Woburn Abbey closed on Saturday for the season. The performances were The Rivals and The Village Lawyer. The following were the Dramatis Personae:-
THE RIVALS.
Sir Anthony Absolute … DUKE of BEDFORD,
Captain Absolute … LORD TAVISTOCK,
Faulkland … LORD WILLIAM RUSSELL,
Acres … MR. KNIGHT,
Sir Lucius O’Trigger … LORD CHARLES SOMERSET,
Fag … MR. COCKERELL,
David … MR. MORRS,
Coachman … MR. CARTWRIGHT,
Mrs. Malaprop … MR. WROTTESLEY,
Lydia Languish … DUCHESS Of BEDFORD
Julia … MISS INGLIS, Lucy … LORD JOHN RUSSELL
Song – “The Awkward Recruit” in character … LORD CHARLES SOMERSET
THE VILLAGE LAWYER.
Scout … DUKE of BEDFORD,
Snarl … LORD TAVISTOCK,
Sheepface … LORD WILLIAM RUSSELL,
Justice Mittimus … MR. CARTWIGHT,
Charles … MR. MORRIS,
Constable … MR. HARBERT,
Mrs. Scout … DUCHESS Of BEDFORD,
Kate … Miss INGLIS
The characters on that and the preceding evenings, were all supported with great spirit, and received ample justice at the hands of their noble and honourable representatives. The Duke of BEDFORD and Lord TAVISTOCK were highly entertaining in the characters of Sir Anthony and Captain Absolute. Lord WILLIAM RUSSELL portrayed very happily the self-tormenting lover, Faulkland. MR. KNIGHT’s well known comic powers, were exerted with the best effect in the character of Acres. Lord CHARLES SOMERSET was an excellent Sir Lucius and the Duchess of Bedford, in Lydia, was all that the author could have wished. The other characters, as well as those in The Village Lawyer, were very ably sustained. A very elegant Prologue, from the pen of Mr. Whitbread, was spoken with great effect by Lord JOHN RUSSELL. The business of the stage was conducted with minute attention, and the whole performance was highly gratifying to a numerous and fashionable audience, who experienced at the abbey the most polite and refined hospitality.”
There is quite a gap in newspaper reports of performances at the Abbey for more than a decade before it appears again, by which time they had brought in professional assistance from London:
Morning Herald (London) – Friday 29 December 1820
“CHRISTMAS FESTIVITIES. Woburn Abbey, the seat of his Grace the Duke of Bedford, is a scene of great festivity. Among the numerous visitors last week were his Royal Highness the Duke of York, the Marquis of Anglesey, the Marquis and Marchioness of Worcester, Lord and Lady Grantham, Lord and Lady Jersey, &c. On Friday evening, the young Lords and Ladies Russell performed very spiritedly a Swiss Ballet, got up under the direction of Monsieur and Madame Michau, with some picturesque scenery and the dresses in the correct Swiss costume, by Mr. Banks, of Drury-lane Theatre.”
A programme survives from 1832, made of silk or satin, announcing a production of “The Popular Farce of THE LIAR!” and the afterpiece of “The Day after the Wedding, or, A Wife’s First Lesson”, on 9th January 1832. The cast mixed professionals (Mr Abbott, Mr. Mildmay, Mr. Balfour) and amateur (members of the Russell Family). The “Manager” added a few words, including a special mention for Mr. Balfour. James Balfour was the grandfather of Prime Minister Arthur Balfour. This performance too was noted in the newspapers:
Morning Herald (London) – 17th January 1832
“FESTIVITIES AT WOBURN ABBEY. The above noble residence, the seat of the Duke and Duchess of Bedford, has been the scene of great and splendid entertainments during the past week. Banquets on the most sumptuous scale, with concerts, masked balls, and private theatricals (in the latter the whole of the characters supported by the Nobility), have added to the gratification of the distinguished guests. The dramatic pieces were “The Liar,” and “The Day after the Wedding.” Amongst the numerous guests were the Marquis and Marchioness of Tavistock, Countess of Sandwich, Marquis of Abercorn, Lord and Lady Wm. Russell, Lord Ossulston, Lord John Russell, Gen. and Mrs. Balfour, Mr. Balfour, Mr. Mildmay, &c.”
Morning Herald (London) – 25th January 1832
Woburn Abbey still continues a scene of great gaiety, her Grace the Duchess of Bedford having entertained a select party of fashionables since Christmas. Private theatricals, balls, &c. form part of the varied amusements, in which no one appears to so much advantage as the noble hostess. Weippert’s band are nightly in attendance, and assist by their exertion the general festivity. The last performance was The Review and Popping the Question.
“Woburn Abbey will present one continued scene of festivity during the whole of Christmas. The Marquis and Marchioness of Abercorn, Lord Claude Hamilton, every branch of the Noble house of Russell, and other distinguished personages, will be entertained by the Duke and Duchess of Bedford with various “sports and pastimes,” in addition to the most luxurious viands. The son of a popular actor has been invited to Woburn for the purpose of giving the noble host and hostess, and their distinguished guests, a taste of his “infinite variety” and versatile powers of amusement.”
Northampton Mercury – 15th February 1834
“Woburn Abbey Theatricals. The Woburn Abbey Theatrical Entertainments closed for the season on Saturday evening the 1st instant, with the farce of Scan. Mag. On Friday the ultimo the Comedy of Simpson & Co. was played at the Abbey, 90 of the gentry and tradespeople of Woburn being invited to witness the performance. The following is a copy of the “Bill of Fare” for the occasion:
Woburn Abbey Theatre, Under the Patronage of the Marchioness of Abercorn. This Evening, Friday, Jan. 24, 1834, His Majesty’s Servants, His Grace’s Guests & Family, will have the honor of performing, with new Scenery, Machinery, Dresses, and Decorations, The much-admired Comedy of Simpson & Co. Peter Simpson, by the celebrated Mr. Charles Matthews, (Of the Theatre Royal, San Clementi, Florence). Bromley … Lord C. J. F. Russell, (His second appearance on the boards these five years). Foster… Lord Francis Russell. Servant … Mr. T. Oakden. Mrs. Simpson … Her Grace the Duchess Bedford, (for this night only). Mrs. Bromley … Lady Georgiana Russell, (positively her last appearance in that character). Mrs. Fitzwilliam … The Baroness De Clifford. Madame la Trappe … Mademoiselle Migneron. With a favorite Song by Lady Rachel Russell (dressed in character), being her first appearance on any stage. Weippert’s Band will attend. Doors open at half-past eight – performance to begin at nine precisely. N.B. No money will be returned, as none will be taken. Vivant Rex et Regina.
Lady Rachel Russell’s song was encored. After the play the ball-room was thrown open, and dancing commenced, in which their Graces and other distinguished personages at the Abbey took a part. A sumptuous supper was prepared for the tradespeople in the Steward’s Apartments. It was nearly four o’clock when the company separated.”
Atlas – 16th February 1834
“THEATRICAL INTELLIGENCE. PRIVATE THEATRICALS. The festivities at Woburn Abbey have this year been prolonged to an unusual extent, balls, masquerades, and private theatricals following each other in rapid succession. The theatre closed for the season on Saturday last with the laughable farce of Scan. Mag., performed by the distinguished and talented inmates of the abbey. Some idea may be formed of the treat afforded by a perusal of the cast of characters:- Mr. Theodore Singleton, by Mr. C. Mathews; Edward Singleton, by the Hon. C. Murray; Captain Tinderly. by Captain Townshend, R.N.; Tommy Caudle, by Lord E. Russell; John Grubb, by Mr. Russell; Emily Singleton, by Madlle. Migueron; Julia, by Madlle. De Schultze; Fanny by Lady G. Russell; and Mrs. Caudle, by the Duchess of Bedford. Between the acts Buy a Broom, in character, by Lady R. Russell. The performance altogether was admirable; and, assisted by Weippert’s band, who have been staying here during the last month, went off with great effect.”
A programme survives for this too:
Before the end of the decade, the 6th Duke died (1839) and his son Francis inherited the dukedom. Georgiana, the late Duke’s widow, moved to Devon. Francis had married Lady Anna Stanhope, daughter of Charles Stanhope, 3rd Earl of Harrington, in 1808. Francis too had a political career. He entered the British House of Commons in 1809, sitting as a MP for Peterborough for the next three years. Subsequently, he represented Bedfordshire until 1832. He was sworn into the Privy Council in 1846 and was invested as a Knight of the Order of the Garter in 1847. He was made a Special Deputy Warden of the Stannaries in 1852 and was appointed Lord Lieutenant of Bedfordshire in 1859, a post he held until his death in 1861. Yet the Woburn Abbey Theatre performances were now an integral part of the Russell’s Christmas social life and continued. The January 1839 offering was “Polly Honeycombe!”:
“WOBURN ABBEY. The Duke and Duchess of Bedford have been entertaining a select party. There was a representation of Colman’s Polly Honeycombe at the abbey theatre, on Tuesday last; the principal characters being sustained by the Marchioness of Abercorn, Lord Russell, Lady Georgiana Russell, Lord Cosmo Russell, and Hon. Mrs. Russell.”
Morning Post – 21st December 1840
“FESTIVITIES AT WOBURN ABBEY. Their Graces the Duke and Duchess of Bedford have been entertaining a select party of friends at Woburn Abbey during the last fortnight. On Thursday evening last the beautiful little theatre of the Abbey was opened, when the comedy of Cinderella was performed to a crowded audience. Miss Adelaide Lister, as Cinderella, was very justly admired, and her performance of the part drew down great applause. The following ladies and gentlemen were amongst the performers: Lords Edward and Francis Russell, Mrs. Hunter, Miss Lister, Mr. George Byng, Mr. Shelley, Mr. Brand, &c. Amongst the company assembled to witness the performance were the Countess of Charlemont, Lord and Lady Southampton, Lords Medbourne and Lord John Russell, Lady C. Stanhope, Mr. and Lady Agnes Byng, Lords E. Howard, C. Russell, E. and F. Russell, Mr. and Mrs. Brand, &c.”
Northampton Mercury – 2nd January 1841
“Theatre, Woburn – On Tuesday last, by particular desire, the popular play of Rob Roy, with the farce of the ‘Spoiled Child,’ were performed in a highly respectable and crowded audience. The theatre has hitherto been attended every night by the most respectable inhabitants of the town, and the surrounding gentry. Much credit is due to the performers, for the spirit with which the first piece was performed.”
The following newspaper may or may not have been speaking the whole truth in this news report on Queen Victoria writing an Opera, but I like their quote ascribed to Lord John Russell:
Satirist; or, the Censor of the Times – 24th January 1841
“The taste for amateur theatricals may now be said to have reached the climax of its glory. Her Majesty and Prince Albert have each completed, and are about to take part in, an opera of their own composing! Of the surpassing talent and musical beauty of these twin productions, it is unnecessary to premise a single syllable… Grieved, above measure, should we be to hear either of the damnation of the pieces, or that any inattention or inefficiency on the part of the noble individuals selected to fill the secondary characters – for her Majesty and the Prince will of course sustain the principle parts – had even the slightest degree tended to expose the performance to a repetition of the sardonic censure which similar demerits entailed upon the recent theatricals at Woburn Abbey, when, upon the conclusion of the evening’s entertainments, being asked whom of all the company he was delighted with, Lord John Russell had the severity to reply, “Why, I think the prompter, for I heard him best, and didn’t see him at all, and next to him I think I preferred the person who let down the curtain.”
Strangely, that report foreshadowed a Royal visit to Woburn in July 1841, when the Russell’s were visited by the most important guest of all – Queen Victoria. There is no record of private theatricals during her visit – or if she took part! At the close of the year, normal activities continued:
Morning Post – Monday 6th December 1841
“FESTIVITIES AT WOBURN ABBEY. (From a Correspondent.) The Duke and Duchess of Bedford have lately been entertaining a distinguished party at this splendid family seat. The company comprised the Marquis and Marchioness of Exeter, the Marquis of Tavistock, Lord and Lady Charles Fitzroy, Lord and Lady Henry Russell, Lord and Lady Charles Russell, Lord and the Hon. Miss Foley, Lord and Lady Southampton, the Hon. General and Mrs. Grosvenor, Miss Wilbraham, the Hon. Lieutenant Colonel and Mrs. George Keppel, Sir Wm. and the Hon. Lady Middleton, the Rev. Reginald and Miss Peyton, Lord Edward Russell, Lord Dudley Stuart, Lord Charles Fitzroy, the Rev. Mr. Moore, the Right. Hon. Charles Arbuthnot.
The festivities were crowned by “private theatricals,” in the beautiful little theatre attached to the mansion. We have been favoured with a sight of the “bill of fare.” The following is a copy:
Under the Patronage of General Grosvenor. Woburn Abbey Theatre. This Evening, December 2, will be performed the Comedy of WHO’S THE DUPE. Dorney, Lieut.-Col. Keppel; Gradus, Lord Henry Russell; Granger, Lord Charles Fitzroy. Mrs. Sanford, Lady Charles Fitzroy; Elizabeth, Miss Foley; Charlotte, Miss Wilbraham.
The performances, which called forth boundless applause and reiterated bursts of laughter, were ushered in by a neat epigramatic prologue, from the pen of General Grosvenor, which was effectively spoken by Lord Henry Russell.”
Morning Herald (London) – 20th December 1841
“THEATRICALS AT WOBURN ABBEY. The Duke and Duchess of Bedford have, during the past week, been surrounded by a distinguished circle at the above splendid mansion, which has comprised the Earl and Countess of Uxbridge and the Ladies Eleanor and Constance Paget, Hon. Colonel and Hon. Mrs. Anson, Lord and Lady Henry Russell, Lords Edward and Francis Russell, Right Hon. George S. and Lady Agnes Byng, &c. On Wednesday night there was a theatrical divertissement in “Woburn Abbey Theatre.” The performances commenced at the usual hour with the farce of The Boarding School, when the characters were sustained as follows: Captain Harcourt, Mr. Shelley; Lieut. Varley, Lord Edward Russell; Cornet Kavanagh, Lord Henry Russell; Major Marsden and Farmer Holly, Lord Francis Russell; James, Mr. Edward Martin; Mrs. Grosdenap, Lady Henry Russell; Miss Biggs, Lady Eleanor Paget; Miss Caroline Blythe, the Hon. Mrs. Anson; Miss Juia Manvers, Miss Martin; Miss Mary Mite, Master George Byng. The performances passed off with more than ordinary applause from the enlightened audience, and the debut of Lady Henry Russell was highly successful, for the warmest approbation was evinced at her ladyship’s clever piece of acting. It was also Lady Eleanor Paget’s “first appearance on any stage,” and, as the coup d’essai of her ladyship, it was all that could be desired.”
“His Royal Highness the Duke of Sussex has been passing Christmas at the splendid residence of the House of Russell. The Duke and Duchess of Bedford, with their accustomed magnificence, have been entertaining the following numerous and distinguished guests, who have been honoured with invitations to meet his royal highness, viz.: – The Duchess of Inverness. Lord Uxbridge, and the Ladies Paget, Lord and Lady Marcus Hill, Lord and Lady Henry Russell, Lord Scarborough, Earl Spencer, Lord William Russell, Mr. and Mrs. Shelley, &c.; Lords Edward, Cosmo, and Francis Russell are also of the party.
On Tuesday last, Woburn Abbey Theatre was again thrown open to a numerous and distinguished audience. The pieces chosen for the evening were the farce of Raising the Wind; in which the part of Jeremy Diddler was played by Mr. Shelley with great effect, reminding the audience of Charles Mathews in his best characters. The other parts were filled Lady E. Paget, the Honourable Geraldine Foley, Lords Charles, Cosmo, and Francis Russell. The evening entertainment concluded with the farce of The Bengal Tiger, the part of Sir Paul Pagoda by Lord Charles Russell, and Miss Yellowleaf by Mrs. Leicester Stanhope. His Royal Highness the Duke Sussex left Woburn Abbey Thursday, no doubt much impressed with the splendid hospitality of his host and hostess, when the other guests also took their departure.”
An exert from “Fifty Years of My Life”, an autobiography by George Thomas, Earl of Albemarle, 1877. pp380-384:
“On the 10th of January, 1744, Lord Sandwich, a Junior Lord of the Admiralty, writes to John, fourth Duke of Bedford, First Lord of the Department: –
“As to our theatrical affairs, they go on in a very flourishing way. Draper, who dined with me yesterday, will undertake the part of Doll, (Dol Common, a character in Ben Jonson’s comedy of “The Alchimist.”) and Price, Dashwood, Shirley, and Mackye agree to what is allotted to them. We have settled the form for the scenes, and shall employ a painter to begin them out of hand. Your Grace shall receive the plays of the “Alchimist” and “All for Love” by the first opportunity.”
In a letter to her son, Captain Yorke, Lady Hardwicke, wife of the then Lord Chancellor, gives the result of these preparations:-
“We have been spectators of the “Siege of Damascus” and the “Alchimist,” at Woburne. I never saw a more perfect performance than the latter. It far excelled the tragedy. The Duke and Lord Sandwich acted “Subtle” and “Face.” ”
“What,” it may be asked, “can the performances of the “Junius” Duke of Bedford have to do with my reminiscences?” Thus much – one hundred years after the representation of the “Alchimist” at Woburn, I find myself taking an active part in the Abbey theatricals, having for brother actors the great-grandchildren of the personator of “Subtle.”
The taste for this description of amusement seems to have been hereditary. At the time that I was acting “Cosy” in Lady Dacre’s play, John, sixth Duke of Bedford, played “Old Wilding” in the comedy of “The Liar,” the other parts being represented by six of his children. I cannot speak personally of the merits of the Duke’s son and successor as an actor, but “Brown Bet” and “Lanky Sue,” the two housemaids at Mother Grant’s in his and my Westminster days, used to speak in raptures of Lord Tavistock’s “Lovell” in “High Life below Stairs.”
In 1828 I was only a spectator of the Woburn Abbey performances. It was not till 1841 that I was regularly enrolled as a member of the company. From our theatrical annals I select one evening’s bill* of fare:-
WOBURN ABBEY THEATRE. BY COMMAND OF His Royal Highness the Duke of Sussex K.G., MONDAY, JANUARY 16, 1843.THIS EVENING WILL BE PERFORMED “THE FOLLIES OF A NIGHT”, A COMEDY IN TWO ACTS.
DRAMATIS PERSONAE.
Philip, Duke de Chartres … LORD ALEXANDER RUSSELL. (His first appearance on any stage.) [Lord Alexander Russell, then an Ensign in a line Regiment, now a Major-General and the bearer of medals for services in the two hemispheres.]
Count de Brissac … LORD EDWARD FITZALAN HOWARD. (His first appearance on any stage.) [Now Lord Howard of Glossop.]
Doctor Druggendraft (the Duke’s Physician) … HON. LIEUT.-COL. KEPPEL.
Pierre Palliot … MR. SHELLEY. [The late Sir John Shelley of Maresfield Park, Sussex, Bart.]
Officer
Servant
Duchess de Chartres … HON. MRS. LEICESTER STANHOPE. [Elizabeth William, Countess of Harrington, mother of the present Earl.]
Mademoiselle Duval … LADY ELEANORA PAQET. [Lady Eleanora Paget, daughter of Henry, second Marquess of Anglesea, married, in 1847, Sir Sandford Graham, Bart., died the following year.]
Masqueraders
VIVAT REQINA.
Doors open at half-past Eight; Performance to begin at Nine precisely.
EPILOGUE.
Written by Lord John Russell. [Now Earl Russell, K.G.] Spoken by Lady Eleanora Paget, and Lord Alexander Russell, January 16, 1843, before His Royal Highness the Duke of Sussex.
Gent. Go on; go on.
Lady. Just wait a little while,
Draw up the curtain – now put on a smile.
I can’t I say – I feel a sudden shyness;
How shall I speak before His Royal Highness?
Begin, begin. L. But what am I to say?
An Epilogue? Shall I abuse the Play?
Or say ’twas perfect? must it be in verse?
How hard, without a moment to rehearse!
Fear not, but try to speak to some effect;
Forestall the wrath of those who may object;
Perhaps some critic, serious and severe,
May gain, ere you begin, the Prince’s ear.
With candid seeming his cold sneer advance,
Allege the Play is borrowed all from France,
Wish, with a sigh, that our dear native land
Were not neglected for a Gallic band;
Shakspeare and Congreve, Farquhar he will quote,
And urge that Sheridan divinely wrote,
Dilate in praise of Poins and madcap Hal,
Curse foreign jargon, vow that English Sal
Is merrier far than Mademoiselle Duval;
Just hint the Duchess was too prone to start;
The blacksmith’s son hammered out his part;
As to the Duke – but let me make an end;
All sorts of faults such critics will pretend.
Then to be plain – your woman’s tongue we trust, –
Nay, trust not me, – your cause may be unjust.
Well, if you will but plead, all faults will fade,
A woman’s reasons always can persuade.
Well! I will speak – our Farce we must avow
As foreign goods; we’re too enlightened now
For narrow views – it is our statesman’s care
To buy the cheapest, sell the dearest ware;
We choosing samples for each market fit,
Export our woollens and import our wit.
What for the actors? L. We must plead – in short,
Implore at once the mercy of the Court.
How Justice might her dreaded balance hold,
I fear to think – but in intention bold
We ask your favour. Here a Prince presides
Whom keen discernment equitably guides;
His public course consistent to one end,
By smiles unwarped, to frowns will never bend;
His private life in kindness overflows,
No friendship loses, no resentment knows;
From him we surely may expect to hear
A summing up most candid, calm and clear.
The Counsel for the Players, in their cause,
Ask not acquittal only, but applause.”
By another of the play-bills I am reminded that, on Saturday, January the 13th, 1844, our company performed the comedy of “Charles the Second,” the part of the King by the present Duke of Bedford’s father; [General Lord William Russell, G.C.B.] and that of “Captain Copp” by myself.”
[* This 1843 programme is probably the one now stored at Norfolk Museums.]
Sun (London) – 2nd January 1844
“PRIVATE TREATRICALS. The first representation at Woburn Abbey took place on Thursday evening, with the burlesque opera of Bonbastes Furioso. For further details of the performances we refer our readers to the following play-bill, which was printed for the occasion:
“WOBURN ABBEY THEATRE. Thursday, December 28, 1843. This evening will be performed the burlesque tragic opera of Bombustes Furioso. Artaxeminous (King of Utopia) – Mr. Geo. H. C. Byng. Fusbos (Minister of State) – The Earl of Chesterfield, (his first appearance on these boards). General Bombastes – Lord Charles Russell. Distaffina – Viscount Anson (his first appearance on any stage.) Attendants, Courtiers, and Brave Army by several noble, and distinguished Amateurs. Vivat Regina. Doors open at half-past eight; performance to begin at nine precisely.”
A very crowded and distinguished audience were present, including – besides the noble host and hostess – Lord and Lady John Russell, Lord and Lady Emlyn, Lord William Russell, Mr. and Lady Georgiana Romilly, Mr. and Lady Caroline Sanford, Mr. Blake, Colonel Cavendish, Mr. and Lady Agnes Byng, &c. An epilogue, very kindly contributed for the occasion by Lady John Russell, was very well delivered by the eldest son of the Hon. G. S. Byng, who performed very cleverly the part of Artaxomineus in the opera.”
Morning Post – 16th January 1844
“WOBURN ABBEY. A brilliant assemblage of the nobility are now enjoying the hospitalities of the Duke and Duchess of Bedford. Amongst the various entertainments for which Woburn Abbey is so justly celebrated are the private theatricals, which are carried on with great spirit. They were resumed on Friday last, at the little salle du spectacle which belongs to this magnificent mansion, when the following programme was distributed amongst the distinguished audience:
Under the Patronage of the Marquis and Marchioness of Normanby. WOBURN ABBEY THEATRE. Friday Evening, January 12, 1844, will be performed the much admired Farce of POPPING THE QUESTION. Mr. Primrose, Colonel the Hon. George Keppel; Henry Thornton, Mr. Shelley. Ellen Murray, Miss Martin; Miss Biffin, Lady Eleanora Paget; Miss Winterblossom, Lady Charlotte Guest; Bobbin, Lady Georgiana Romilly. Stage Manager, the Right Hon. G. S. Byng.
The party assembled at the Abbey during the past week consisted of the Duke of Devonshire, the Marquis and Marchioness of Normanby, Lord and Lady Leveson, the Earl and Countess of Uxbridge, the Ladies Paget, Lady Agnes Byng, Lady de Clifford, and Mr. Russell, Lord and Lady John Russell, Mr. and Lady Caroline Sanford, Sir John and Lady Guest, Lord Francis Russell, &c.”
Northampton Mercury – 20th January 1844
“WOBURN. Abbey. The Duke and Duchess of Bedford have been entertaining a very large party at Woburn Abbey, including The Marquis of Anglesey, the Marquis and Marchioness Normanby, Baroness de Clifford, Lord and Lady Uxbridge. the Ladies Paget, Lord and Lady John Russell. Lord W. Russell, Lord Francis Russell, Mr. Edward Russell, Mr. and Lady G. Romilly, the Hon. G. S. and Lady Agnes Byng, Lord and Lady Leveson, Lord Duncannon, Miss Ponsonby, Mr. and Mrs. Ponsonbv, Mr. and Lady Caroline Sanford, Sir John and Lady Charlotte Guest. Mr. and Mis. Shelley, Lieutenant-Colonel Keppell, &c.
On Friday and Saturday last, Theatrical Performances formed part of the amusements of the distinguished guests. The following are transcripts of the “Bills of the Play” on these occasions:
Under the Patronage of the Marquis and Marchioness of Normanby. Woburn Abbey Theatre, Friday Evening, January 12th, 1844, will be performed, The much-admired Farce of POPPING THE QUESTION. Mr. Primrose … Colonel, the Hon. George Keppel. Henry Thornton … Mr. Shelley. Ellen Murray … Miss Martin. Miss Biffin … Lady Eleanora Paget. Miss Winterblossom … Lady Charlotte Guest. Bobbin … Lady Georgiana Romilly. Vivat Regina. Under the Patronage of the Marquis of Anglesey, K.G. Woburn Abbey Theatre, Saturday Evening, January 13, 1844. will be performed, The Comedy of CHARLES THE SECOND. King Charles ll … Lord William Russell. (His first appearance on any British Stage.) Rochester … Mr. Charles Romilly. (His first appearance any Stage.) Edward (a Page) … Mr. Shelley. Captain Copp … Colonel, the Hon. George Keppel. Lady Clara … Lady Charlotte Guest. Mary, (adopted daughter of Copp) … Lady Eleanora Paget. Stage Manager, the Right Hon. G. S. Byng. Vivat Regina.
The party is now broken till the 23d, when another, including Lord Melbourne, Lord and Lady Palmerston, and probably the Duke of Devonshire, is expected the Abbey. Lord and Lady John Russell will also return at that time.”
Not all the press reports were so complimentary. One newspaper took great exception to the use of “Under the patronage of the Marquis of Anglesey, K.G.” in the programme they had seen. They seem to have missed the “joke” completely that these programmes were created just for fun.
Bell’s New Weekly Messenger – 21st January 1844
“LOW LIFE ABOVE STAIRS. It is pleasant to behold lords and ladies doffing their coronets and assuming the garb and manners of people of low condition. It would be all the better if they could feel as well as look like the humble persons they endeavour to represent. Several theatrical performances have recently taken place at Woburn Abbey, the seat the Duke of Bedford, in which ladies and gentlemen have followed the example of stage players, very exactly. We have before us a programme of the final performance, which therein stated to be “Under the patronage of the Marquis of Anglesey, K.G.” This is positively silly. We can have no respect for the mental qualities of the individuals who caused such a truly childish sentence to printed. When the regular stage players announce that a certain performance is about take place under the especial patronage of individual of distinguished rank or character, it is done for the purpose of attracting additional visitors to the theatre; from which circumstance extra profits may be expected to arise
But what did the Russells want with patronage? The Duke of Bedford does not find it a matter of difficulty to obtain a comfortable meal; nor does his Grace progress through the week, shrinking under the fear of receiving no reply to his demand upon the treasury on the following Saturday. Was the play, represented under the Patronage of the Marquis of Anglesey, a tragedy by Shakspeare, or a comedy by Sheridan? The noble Marquis, whose name is paraded at the head of the bill of “Woburn Abbey Theatre,” must have been desirous of showing his regard for the drama, as branch of national literature; of recalling the vagrant affections of the aristocracy to neglected genius and wit. The noble house of Bedford, under the guidance of the Marquis of Anglesey, must have desired to associate their names with the greatest of English bards and humourists, and of pointing an example to society when they amused themselves. Was it, then, Hamlet, As You Like It, or The School for Scandal, in which the Russells, under the patronage of the Marquis of Anglesey, disported? Alas! the play brought out with all this pomp and affectation, and the record of which exists printed bills, was nothing more nor less than the petty burletta of Charles the Second! It would have been well for the reputation of the aristocracy, had the Duke of Bedford permitted “the blanket of the dark” to be hung up before his Woburn Abbey Theatre, when his family and friends were amusing themselves in this ridiculous way, by imitating persons who endeavour to get an honest livelihood by their professional exertions; but whom these noble buffoons suffer to play too often to “a beggarly account of empty boxes”.”
I doubt the Russell’s were particularly worried. Their annual performances continued:
Sun (London) – 23rd December 1846
“THEATRICALS AT WOBURN ABBEY. The Duke and Duchess of Bedford, since Friday, have been surrounded by a distinguished circle, at Woburn Abbey, comprising the Duke and Duchess of Norfolk and the Ladies Mary and Adeliza Fitzalan Howard, the Marquis of Granby, the Dowager Countess of Sefton and Ladies Molyneux, Viscount Mandeville, Viscountess Bury, Lord and Lady Charles Russell and Hon. Edward and Hon. Katherine Russell, Lord Cosmo Russell, Lord Edward F. Howard, Mr. A. and Lady C. A. Sanford, Mr. A. Stafford O’Brien, Mr. S. Rogers, Mrs. and Miss Magniac, Mr. B. Lyons, &c.
On Saturday evening the “Theatre Royal, Woburn Abbey,” as it is called, was opened for private theatricals, the performances under the patronage of the Duchess of Norfolk. It was announced that the dramatic exposition was for that night only. We supply the subjoined affiche of the evening:
“THIS EVENING, SATURDAY, THE 19TH OF DECEMBER, 1846. (For this night only), Will be performed, a Charade, in Three Parts, about LOVE AND FIRE!! Ulysses, Lord Charles Russell; Priam, Mr. Ayshford Sandford; Menelaus, Viscount Mandeville (his first appearance on any stage); Tyndarus, Mr. Stafford O’Brien, M.P.; Paris, the Marquis of Granby; Antilochus, Mr. Bickerton Lyons (from Athens, his first appearance on any stage); Diomedes, Lord Cosmo Russell; Homer, the Right Hon. Lord Edward F. Howard; Thalpius, the Hon. Edward Russell; Nemesis, Lady Caroline Ayshford Sanford (this talented lady’s first appearance this season); Helen, Lady Maria Molyneux; Electra, Miss Alagniac; Hermione, Viscountess Bury; Meleto, the Hon. Katherine Russell; Teliope, Lady Mary F. Howard; Euphrosyne, Lady Adeliza F. Howard.
Enormous Attractions! Lord Cosmo Russell and Mr. A. Sanford will once more perform on this stage! Distinguished Appearance of the Author! So well known at the Westminster House. His first appearance on these boards. A most decided hit! Vivat Regina.”
The doors opened at half-past eight, and the performance commenced at nine o’clock. It was warmly applauded by a brilliant audience. The dialogue was admirable, and those assuming characters in the dramatic charade acquitted themselves admirably. We are informed that Mr. A. Stafford O’Brien, M.P., was the author, and his classic acquirements are known to be of the highest order. The hospitality of the Noble Duke and Duchess will be prolonged during the festive season, Lord and Lady John Russell and a host of visitors of distinction being on the eve of congregating at the Abbey for Christmas.”
Trinity College holds a Broadsheet entitled “Woburn Abbey Theatre. Prologue, written and spoken by Richard Monckton Milnes, December 22, 1848” (R./18.15/13/32), which must have been read out before that year’s production of “The Flower and the Tree”.
Bedfordshire Mercury – 8th January 1848
“WOBURN ABBEY HOSPITALITY. The seat of the Duke Bedford has been very gay this festive season, and on Tuesday last the distinguished party separated; the Duke and Duchess of Bedford proceeding to Endesleigh, Devon. The Dowager Duchess, and Lady Rachel Russel, returning to Camden Hill, Kensington. The theatre at the abbey, as usual, furnished to the inmates some of the most lively and humorous amusement, of which the following programme will give but a faint idea.
“WOBURN ABBEY THEATRE: This evening, Thursday, December the 30th, 1847, will be performed, by Express Desire, and under the Patronage of the Chevalier Christian Charles Josias Bunsen, D.Ph., D.C.L. (Minister plenipotentiary of His Majesty the King of Prussia), OUR VIRGIN QUEEN, or Too much Supper! Queen Elizabeth, The Duchess Dowager of Bedford; Duchess of Rutland, Lady Rachel Russell; Sir Nicholas Blount, Sir George Russell; Sir Walter Raleigh, Mr. Monckton The Earl of Sussex, Hon. W. Cowper – The Mayor of Entail, Mr. St. Ford; Mr. Alderman Swallow, Mr. W. Cowper; Sally Swallow, Lady Rachel Russell; A Friend who drops in, Mr. Stafford. Attendants, Prisoners, Beadles, Common Councilmen, &c. To conclude with A MYSTIC MIME, Never before acted. Never to be acted again. A Classic legend, containing altitude and profundity; the month of flowers and a suspiration. Vivat Regina!
The performances to commence soon as claret and coffee will allow. The box office is not open. No places are reserved! There is no price or half-price. No suspension of the Free List. No new scenery, dresses or decorations. There have been no rehearsals; and there is no stage manager. The rich comic humour of Mr. Stafford, the Member for Northamptonshire, in the character of “A friend who drops in” drew down immense applause.”
London Evening Standard – 26th December 1850
“PRIVATE THEATRICALS AT WOBURN ABBEY. The Duke and Duchess of Bedford, as customary at this festive season of the year, are dispensing their princely hospitality at the ancient family seat, Woburn Abbey, Bedfordshire, to a distinguished circle of relatives and friends. Among the guests of the noble duke and duchess staying at the Abbey are Lord and Lady John Russell and the Hon. Miss Lister, Viscount Anson, Viscount Maldon, Viscount Valletort, Sir John and Lady Georgiana Romilly, Lady Frances Hope, Lady Frances Russell, Lady Elizabeth Bulteel and Miss Bulteel, the Right Hon. T. B. Macaulay, Mr. Cernewall Lewis, M.P., and Lady Theresa Lewis, Lady Foulis, Mr. and Lady Caroline Sanford, General Hare, Captain Brooke, the Hon. G. Byng, Mr. Augustus Stafford. M.P., Mr. R. W. Grey, M.P., Mr. Arthur Russell, Mr. H. Grenfell, Mr. Bulteel, &c.
In addition to the above personages of rank most of the neighbouring nobility and gentry have enjoyed the pleasure of congregating at the ducal seat to participate in the gaieties. On Monday last “Woburn Abbey Theatre” (according to the programme) was opened for the first, we believe, of a series of amateur dramatic entertainments, for which the abbey has long engrossed a high reputation. The performances, to use the before-quoted authority, were under the patronage of Lady Frances Hope and the Right Hon. T. B. Macaulay.
After the noble host and hostess had given a grand banquet to a numerous circle, a large number of visitors arrived from the surrounding neighbourhood, gathered to witness the theatrical display. Lord and Lady Charles Russell, Viscount and Viscountess Enfield, and a host of fashionables, were of the audience. The piece selected was the well-known favourite farce of Turning the Tables, and the following was the cast of characters, named in the order of their appearance:-
Old Knibbs … Mr Ayshford Sanford. Miss Knibbs … Miss Bulteel. Edgar … Mr. H. Grenfell. Jack Humphries … Mr. Augustus Stafford, M.P. Thornton … Viscount Valletort. Patty … The Hon. Miss Lister. Bumps … The Hon. George Byng. Mrs. Humphries … Mrs. J. Bulteel.
Mr. A. Stafford, M.P., long known to the public from the ability of his performances on that popular political stage, the House of Commons, has an equal, if not greater, reputation in the large circle of his friends for his talents on the private stage, and the hon. gentleman has for several years past had an engagement at “Woburn Abbey Theatre.” Among the dramatis persona were several debutants, who were perfect in their parts, and acquitted themselves most respectably, and elicited general applause from the friendly audience. Lord Maldon and Mr. R. W. Grey, M.P., rendered considerable service on the occasion, the former as “prompter,” and the latter as “stage-manager.” At the conclusion of the farce the company partook of refreshments in an adjoining saloon, the gaieties being prolonged to rather an advanced hour. We understand that the noble duke and duchess purpose to welcome a succession of guests until about the middle of the ensuing month. Lord and Lady John Russell and the Hon. Miss Lister will remain on a visit at the abbey until the close of the ensuing week.”
A programme for the 1850 production of ‘Turning the Tables’, printed on silk, is archived at Somerset Heritage Centre in the archives of the Sanford Family of Nynehead (DD/SF/18/3/7)
London Evening Standard – 4th January 1851
“PRIVATE THEATRICALS AT WOBURN ABBEY. The festivities of the season have been kept up on a scale of great splendour by the Duke and Duchess of Bedford, at their splendid seat in Bedfordshire. A few days since we gave a brief notice of the amateur dramatic performances there. Since then there have been charades and a variety of elegant amusements provided by the noble duke and duchess for the entertainment of a distinguished circle staying at the ducal seat, and numerous parties of the local nobility and gentry- Viscount and Viscountess Jocelyn, Lord and Lady Ashley, Lord Ribblesdale, Lady Wm. Russell and Mr. Odo Russell, Lady Alexander Russell, the Accountant General and Mrs. William Russell and Mr. John and Miss Russell, Lady Hislop and Miss Elliot, Sir Denis Le Marchant, Colonel Rawlinson, the Hon. Mrs. Villiers, Mr Bickerton Lyons, &c, are among the recent arrivals at the abbey. Viscount Valletort, Lady Francis Hope, the Right Hon. T. B. Macauley, the Hon. G. Byng, Mr. R. W. Grey, MP., &c, are among the departures; and in addition to the first-mentioned fashionable visitors Mr. A. and Lady Caroline Sandford, Lady Elizabeth Bulteel and Mr. J. and Miss Bulteel, Mr. A. Stafford, M.P., Mr. H. Grenfell, and Lord Maiden are prolonging their visit to the noble duke and duchess. On Tuesday night (New Year’s Eve) there was a grand muster at the Abbey, the “Woburn Abbey Theatre” being again opened for the representation of a masque, of which report had previously spoken highly, from the pen of a distinguished member of the House of Commons. The performances were announced to be that night under the patronage of Lord Ashley. The doors were opened at half-past eight, and the performances commenced at nine o’clock. The theatre was not inconveniently crowded, the invitations being limited.
The masque was written by Mr. Augustus Stafford, M.P., and by that hon. gentleman humbly dedicated to the Lady Elizabeth Bulteel. It was entitled Eggs of Gold; or, The Princess Punished. At nine o’clock the fashionable audience having congregated in the distingue theatre, Colonel Rawlinson came forward and delivered an admirably-written prologue, which excited much merriment. That spoken, the plot of the masque commenced, the subjoined being the dramatis persona, the characters named in the order of their appearance:- Duodecimo (a page)… Master John Russell. Leolf (a seneschal) … Mr. A. Stafford, M.P. King Glorious … Mr. Ayshford Sandford. Princess Gloriosa … Miss Harriet Elliot. Duke … Mr. Bickerton Lyons. Marquis … Mr. H. Grenfell. Lackland… Mr. Odo Russell. Ulric … Lord Ribblesdale. Maid of Honour … Lady Georgiana Romilly. Tremenda (a fairy) … Miss Bulteel. Dora (afterwards Madame Goodluck) … The Hon. Elizabeth Lister. Snell … Mr. James Bulteel. Count … Lord Maiden. Cleodalinda … The Hon. Mrs. Villiers. Ida … Lady Alexander Russell. Braun … Lord Edward Howard.
Viscount Jocelyn acted as prompter to the satisfaction of all engaged in the masque, and Lord Elphinstone was announced as stage manager, but his lordship was unavoidably absent. Although the name of Lord Edward Howard appeared in the “bill of the play,” his part in the performances was sustained by another gentleman. The different characters were most creditably maintained, and applause from the audience liberal, the talented author coming in for a bountiful share. An epilogue, “written by Wee Wee,” was spoken by Master John Russell, with really surprising success. Mr. Tinney presided at the pianoforte. At the conclusion of the performance, “God save the Queen” was played; shortly after which the company adjourned to the saloons where refreshments awaited them. The Duke and Duchess have had grand dinners every evening occasionally followed by a charade or a carpet paramount at Woburn Abbey. The little theatre is to be thrown open for one more night previous to closing for the present season.”
Daily News (London) – 9th January 1851
“THEATRICALS AT WOBURN ABBEY. The Duke and Duchess of Bedford’s hospitality, which has extended over the last five weeks, at the ancient ducal seat in Bedfordshire, may now be considered over. In our previous notices of the gaieties and amateur dramatic performances at Woburn Abbey during the festive season, we have had occasion to speak in praise of the intellectual amusements provided by the noble duke and duchess for the gratification of their distinguished guests and visitors. Since the theatrical exhibition on New Year’s Eve a sumptuous “bill of fair” has been instrumental in affording considerable recreation to the personages taking part in the performances, as well as contributing to the amusement of those whose good fortune it was to be honoured by invitations to witness the dramatic proceedings.
Lord and Lady John Russell and the Hon. Miss Lister, Lord Ribblesdale Lord Malden, Viscount Anson, Sir Denis Le Marchant, Mr. C. Lewis, M.P., and Lady Theresa Lewis, Colonel Rawlinson, &c., were among the departures last week; but fresh arrivals supplied their places Lord Elphinstone, Baron and Lady Parke, Miss Parke; besides whom Viscount and Viscountess Jocelyn, Lord and Lady Ashley, Lord and Lady Alexander Russell, Lady Frances Russell, Sir J. and Lady Georgiana Romilly, Lady William Russell, Messrs. A. and Odo Russell, Lady Hislop and Miss Elliot the Accountant-General, Mrs. Russell and Miss Russel, Mr B. Lyons, the Hon. Mrs. Villiers, Mr. H. Seymour, Lady Elizabeth Bulteel and Miss Bulteel, Mr. A. Stafford, MP., Mr. J. Bulteel, Mr. H. Grenfell, &c., were guests staying as the abbey with the noble host and hostess.
On the night of New Year’s Day “the Queen’s Drawing room,” so called from her Majesty having occupied that saloon on her visit to Woburn Abbey, the first royal visit after her marriage with the Prince Consort, was thrown open for the reception of a brilliant circle to witness a magnificent charade. The annexed is a copy of the programme:-
A CHARADE, IN THREE SCENES.
SCENE FIRST. A fair, with brilliant and beautiful stalls, people of all nations buying and selling; amongst others, a Jew, who deals the hardest bargains to everyone and makes himself very prominent throughout the whole scene.
SCENE SECOND. The fair is nearly over, when two wandering maidens from a foreign land stop to buy some ribbon at Mrs. Measure’s stall. As they are going away from the stall, after having concluded their purchase, Mrs. Measure charges one of them with stealing several ells of ribbon, This they deny, sing a duet from “Gazza Ladra,” descriptive of their sufferings under a false accusation; but, Mrs. Measure being obstinate, they are delivered over to the constable. Just as he is taking them away, however, the ribbon is discovered – tableau – scene closes:
SCENE THIRD. The populace determined to show their satisfaction at the innocence of the poor girl who was charged with the theft, determine to form a procession to a noble and kind lady. The procession is received very graciously; the innocent maiden is crowned with a crown of amethyst; and the Christmas Tree of the Duchess of Bedford is revealed sparkling with jewels. “God save the Queen” was played at the termination of the charade.
It was arranged that there should be another grand gathering at the Woburn Abbey Theatre, to close the season, and Friday last was the night fixed; but owing to the sudden illness of Mr. Odo Russell, the Duke of Bedford’s nephew, while rehearsing in the first piece intended to be performed, it was postponed until Saturday night. On that evening the theatre was opened. The performances were under the patronage of Lord Elphinstone. The Right Hon. Baron Parke, casting aside the grave habiliments of his judicial rank, condescended to fill the position of prompter. Mr. Arthur Russell was the stage manager. The performances commenced with the play in three acts, entitled THE YOUTHFUL QUEEN; OR, CHRISTINE OF SWEDEN. Count of Oxenstiern … Mr. Ayehford Saindford. Emma … Harriet Elliot. Frederick Bury … Odo Russell. Steinberg … Mr. H. Grenfell. Christine … Miss Bulteel. Ladies in waiting, courtiers, guards, pages, &c.
The play passed off admirably. At the fall of the curtain the audience manifested their pleasure by loud plaudits. It was followed by the farce of “NO!” in which the subjoined were the characters: Maria … Lady Alexander Russell. Deborah … Lady Georgiana Romilly. Sir George Doubtful … Lord Alexander Russell. Andrew … Mr. Augustus Stafford, M.P. Frederick … Mr. H. D. Seymour. Smart … Mr. J. Bulteel. Lady Doubtful …The Hon. Mrs. Villiers. Commodore Hurricane … Mr. Bickerton Lyons.
The acting of Mr. Stafford, the Hon. Mrs. Villiers, Lady G. Romilly, and Mr. Lyons, was excellent; and Lord and Lady Alexander Russell, Mr. Bulteel, and Mr. Seymour, sustained their respective parts very creditably. A “very short” epilogue was spoken by Mr. Augustus Stafford, MP, which having been warmly applauded, the amusements terminated with the national anthem.
On Monday and Tuesday the party separated; Viscount and Viscountess Jocelyn and Lord and Lady Ashley left to join the circle visiting Viscount and Viscountess Palmerston, at Broadlands, Hants; Mr. A. Stafford, M.P., for his seat in Northamptonshire; Lady Elizabeth Bulteel, Miss and Mr. J. Bulteel, Lady Hislop, Miss Elliot, Lady William Russell, Messrs. A. and O. Russell, Lady Frances Russell, the Accountant-General, Mrs. and Miss Russell, &c., for the metropolis. We need hardly remark that the continued splendid entertainments at the abbey have afforded unalloyed pleasure to a vast number of friends having the entree of the ducal mansion.”
Lloyd’s Weekly Newspaper – 13th December 1857
“Mr. Hurlstone, a gentleman who has for some time devoted himself to amateur theatricals, is to conduct the Christmas Theatre at Woburn-abbey. We do not know whether the family ever strut a fretful hour but assuredly Lord John is the man to appear in a round of characters.”
At the time being, 1857 is the last such performance noted in the press or with a surviving programme. Francis Russell, the 7th Duke of Bedford, died in 1861. Perhaps the next generation did not favour theatrical performances. A discussion on death of the 10th Duke of Bedford in 1893 mentions the theatre and its ultimate demise:
Manchester Evening News – 4th April 1893
“The Dukes of Bedford possess, like the Queen, a complete service of gold, when the present Duke’s father entertained Royalty in London, this was brought up from Woburn in the custody of a small army of servants and detectives. The state and semi-regal splendour of Woburn came to end with the sixth Duke’s death in 1839. He was the father of the present Duchess Dowager of Abercom, who as a girl was passionately fond of acting. Under her management a great number of plays were performed at the Woburn Abbey Theatre, now demolished.”
Thus ended this prolonged period of private theatrical performances at the Woburn Abbey Theatre.
Last updated Sept. 2024.